Getting the best light on your artwork while sketching outdoors makes a huge difference for seeing color. Ideally you want soft, diffused white sunlight at a level close to the brightness of the scene itself. The worst thing is cast shadows or dappled light across the painting.
Controlling the light on your work can be difficult on a bright sunny day, which is why I came up with this easel-mounted diffuser. Unlike a white umbrella, this setup won't blow over in heavy wind. The diffuser affects the light only where you need it.
The white diffusing panel is made using a recycled Pendaflex
Here's what it looks like on the side away from me. That bracket is a piece of plywood which is split so that it tightens against the aluminum bar. The wood bracket is held on with a Southco adjustable hinge
My homemade easel system can work for either sitting or standing height, because it mounts on a camera tripod. Here we were last week painting the old carriage house at the Wilderstein mansion here in the Hudson Valley. I'm painting contre-jour (facing the light), so the diffuser brings nice white light to my work surface.
And here's the painting I did. I was conscious of lightening and cooling the top edge of the building silhouette to make the sky feel bright and blue without actually painting the sky blue. It's an effect I've noticed from photography and I wanted to try it out on an observational painting.
I documented the whole thing on video, and I'll be releasing that segment as part of an upcoming DVD/download on plein-air watercolor.
If you make one of these diffusers, please send me photos of how you adapted the idea.
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